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The Varanasi mystique

A photo-essay by Ashis Ghatak, vivifying how the winter sets in on the holy city of Varanasi, on the banks of the River Ganges...

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The Death Of Death…

You could one day be never too old to set another goal or to dream a new dream, writes Dr Anurag Yadav

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

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Beckett and Apocalypse

Samuel Becket's Waiting For Godot has had several productions in Mumbai (Motley's being the most famous), but Endga...

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Celebratory Presence marks the Inauguration of 9th Jagran Film Festival in Delhi

The capital city of India once again hosted leading personalities associated with the big wide world of cinema, at the 9th Ja...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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Sridhar Rangayan – Taking The LGBTQ Discourse From His Personal To The Political

I’ve known him for years, but Sridhar has become a dear friend in the last few years, from the time that we launched the Asian Cen...

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Why Photographer Nydia Blas Only Makes Images Of Women Of Color

There is a distinct kind of intimacy that binds close female relationships ― whether between sisters, lovers, or friends. There’s a warmth that reveals itself throu...

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